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Eleni
writes that she purchased this from John E Wrights,
which is a Print and Graphic design shop with stores
in Derby, Nottingham and Leicester. She continues:
"The drafting film I use comes in three thicknesses,
2 thou at £3.05 a metre, 3 thou at £4.46 metre (22
inches or 560 mm wide), and 5 thou. The 5 thou is
not available this way. I was told that I would have
to buy a whole roll worth over £100.00. The PH is
neutral, and the firm making it has tested and states
the film is suitable for most archival purposes. Also
available is Frisk Polydraw, which is only 2 thou.
and comes in pads of 15 sheets in 3 sizes - A4 £16.40,
A3 £26.44, A2 £29.50. Rachael, at the Derby store,
is their technical advisor, and has said she is more
than happy to answer any questions from anyone about
products. Her Tel.at Derby shop is 01332 344743.
The
pictures I entered in our 2004 exhibition were painted
on the 3 thousandth. I find working on this surface
that the colour pencil glides effortlesly leaving
a rich creamy colour. Most important thing is the
pencil pressure we use to deliver the right amount
of pigment on to this support. A lot of practice is
needed. It does not take many layers so I work on
both sides of the Film. The method I use - I do the
final drawing on a piece of tracing paper the same
size as the drafting film,and mark my shaded areas
with graphite pencil. I then place the drafting film
over it and trace the drawing lightly with corresponding
colour,i.e green for leaf. I turn both drawings face
down, placing the tracing paper under the film. Now
you can see why it was necessary to mark the shaded
areas first. I can see exactly where to start shading
my work. I start to apply the shading on what will
be the back of my picture. It sounds complicated but
when you try it you will find that it makes sense.
I then turn film over with the tracing paper underneath,and
I also place a piece of hot press paper under both
for background. Tips - Do not apply fixative because
it will smear. Do not burnish because it will remove
pigment. If using wax pencils bloom will not develop.
Mistakes can be removed completely using a plastic
eraser. Be careful not to crease the film otherwise
it leaves a permanent white mark. "
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Pastelcard
- like sandpaper, eats pencils, but gives a great intensity of colour
very quickly. Kitty Wallis, a US artist makes what is becomimg the
standard in this type of paper, and Jackie Simmonds is selling her
paper in the UK. Also try Tim Fisher's Fisher500 paper, and Art
Spectrum Colorfix - both a similar type of paper with their own
peculiarities. |